Friday, October 30, 2015

This Is Amber Rose's World And We're Lucky To Be Living In It

Chris Ritter / BuzzFeed

On October 27th in the year of our Lord 312, Constantine the Great was converted to Christianity by a heavenly vision at Battle of the Milvian Bridge. According to the legend, a fiery cross appeared in the skies above with the message “Εν Τούτῳ Νίκα” (“In this sign you shall conquer”) emblazoned across it. The vision immediately fortified him, setting him on a path to victory and to an empire the likes of which the world had never seen. On October 27th of 2015, the world bore witness to a similar event that will surely change the course of history. On that blessed day, Amber Rose released How to Be a Bad Bitch. To call this debut book of instructions on how to fucking live your life right for once anything short of a miracle would be falsehood — NAY — heresy.

Gallery Books

The model/entrepreneur/muse/activist/prolific taker of butt selfies addresses her readers as friends and familiars and makes her intentions for us clear early, “I want to help you be the baddest bitches ever.” That familiarity is why I feel like it’s fine for me to refer to her just as Amber for the remainder of this essay. Also because that’s already how I think of her when I’m imagining us as the goddamn best of friends whose selfies together are what could actually make America great again, but I digress. This transformation starts with developing a vision of yourself and your life and then very deliberately taking steps to make it a reality. In her words, “Figure out who this bitch is.” Between stories from her life and tips from her routine, HTBABB is sprinkled with direct encouragement, because Amber knows us and loves us and wants us to be happy.

This may come as a shock to some, but I came to HTBABB with my own preconceived notions about Amber. Specifically, the notion that she is an infallible goddess choosing to grace us mere mortals with her presence because she is as benevolent as she is beautiful. I count myself among the ranks of her die-hard fans, affectionately called “Rosebuds” to her self-described “Muva.” But since every rose has its thorn, there is also a veritable army of detractors and shit-talkers littering our lovefest with hateful bile against Amber on social media and beyond. Fortunately, she lays out precisely how to handle such detractors in her chapter devoted to fashion: “If someone doesn’t understand or accept who you are, fuck them.” Figuratively, of course. She gets into the people you should literally fuck in later chapters on dating and relationships because this book has everything.

"If someone doesn’t understand or accept who you are, fuck them."

Amber pulls no punches. Her advice is direct, laden with swears, and highlighted with explicit imagery like her description of how women’s eyes bug out of their heads when they blow a guy or how getting laid isn’t that hard because “a guy will stick his dick in a block of Swiss cheese.” You’ve got problems and she’s got solutions. A guy doesn’t want to use a condom? “…Tell him to go fuck himself.” Can’t afford fancy cosmetics? “Go wild at the drugstore for way less money.” Ridiculous standards in magazines got you feeling like you’ll never be beautiful or stylish? “Fuck that. No more.” You want to know where your date stands on having kids and it’s only the third date? “…As far as I’m concerned, you should feel it’s your right to bring it up on the first date.” Wondering if it’s ever OK to fuck around with a guy who’s attached? “Never. Hell, no.”

While the book is full of photos of Amber’s curves, I couldn’t help but see all the parallels. To my life, that is. Amber and I both worked as strippers and aren’t ashamed of it. We both have ex-boyfriends who used that piece of our pasts against us. My skull shape is weird and I look too much like a grown Cabbage Patch Kid to shave my head, but we both came into our own when we went platinum blonde. And though mine won’t sell nearly as many copies, I also sold a book this year in which I repackage a lot of suffering into something I hope is helpful to other women whom the world has conspired to convince are something less than they are.

It is because of that suffering that I write this essay with such hyperbolic joy. This essay is so exuberant in its praise not just to be silly but to serve as an antidote to the poison spewed in Amber’s direction over the seven years that she’s been in the spotlight and at countless other women with similar backgrounds. Disappointingly, much of this venom comes from self-described feminists. They claim she has no particular talents, ignoring her business acumen and activism and dismissing her as famous only because of dating Kanye West after only a brief foray into modeling and music videos. It’s funny, I don’t see many people screeching about how Kate Moss is famous only because of how she’s monetized her image and body. I don’t hear cries of injustice that Liv Tyler was “just a video girl” when she was starring in Aerosmith's "Crazy" in the 1990s. Kate Middleton — what the fuck did she do but date and marry someone famous?

Amber Rose is precisely the kind of woman who ought to be benefiting the most from feminism because she lives its values and proves it can work.

The real reason she is so derided is that Amber Rose is a woman of color from a poor household in a working-class neighborhood who relied on her erotic labor to survive as a young woman, the kind of profile that makes her more conveniently into a talking point than a spokesperson. When she transitioned to modeling and music videos, it was for hip-hop brands and musicians deemed illegitimate or invisible by virtue of their proximity to blackness. Then, when she was attacked in media, she harnessed control of her image and repurposed the insults into shorthands for royalty. Instead of cowering or growing mean, she became a force of positivity. She beat their fucking swords into ploughshares and she is reaping the shit out of that harvest. The truth is, Amber Rose is precisely the kind of woman who ought to be benefiting the most from feminism because she lives its values and proves it can work. But that truth must be silenced because there are too many fragile men and mainstream media assholes and white feminists with the privilege to have only had to theorize over the concept of erotic labor rather than perform it who are terrified that some stripper from South Philly might know a thing or two more about navigating and uplifting womanhood than any of them.

It is that tidal wave of shit that people keep hurling at Amber Rose that compels me to erect this bombastic little monument to her brilliance. As far as I am concerned, she hung the moon and stars. Her voice is the pitter-patter of cherubs skipping across iridescent lily pads and her body is Eden made flesh. She is as intelligent as she is seductive, a genius and goddess in one. And I fully believe that as the parade of hate inevitably marches on in her life, she will continue to inspire girls and women who are slowly being crushed by similar cruelty because she will wave off their hate and choose to embrace love. And in that sign she will conquer.

***

Alana Massey is a writer in Brooklyn, NY working at the forefront of Feelings Journalism. Her book, All the Lives I Want, is forthcoming from Grand Central Publishing. She tweets at @alanamassey.


18 Words In The Philippine Language You Can't Translate In English

You can try your best but you won’t succeed.

What it means: It's what you feel when you're not really angry at someone, but you're not really happy about them either. Usually felt towards a special someone.

Isabelle Laureta / BuzzFeed

What it means: It could roughly mean 'enough', but it doesn't quite cover the essence of the word. It could be an expression when you don't feel like explaining what you feel or mean in detail.

Isabelle Laureta / BuzzFeed

What it means: An intense tenderness, sweetness, and affection rolled into one word.

Isabelle Laureta / BuzzFeed

Isabelle Laureta / BuzzFeed


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How Many Roald Dahl Children's Books Have You Read?

Fantastic Mr. Dahl.

23 YA Novels That Will Take You Back To The '00s

Prepare for a walk down memory lane.

The Princess Diaries by Meg Cabot

The Princess Diaries by Meg Cabot

Mia Thermopolis got to live the dream of becoming an actual princess. Although it wasn't exactly perfect or easy, you followed her on the journey from average high school student to regal princess — and what a ride it was.

HarperCollins

The Clique by Lisi Harrison

The Clique by Lisi Harrison

Popular girl Massie Block and her Pretty Committee had everything a girl in middle school could want: Juicy Couture sweatpants, Uggs, and a pool. Enter Claire Lyons, a more average girl, who's much more relatable and whom you wanted to see beat Massie at her own game.

Poppy

Gossip Girl by Cecily von Ziegesar

Gossip Girl by Cecily von Ziegesar

Before it was a hit TV show, Gossip Girl was a best-selling series that was a bit different than the show. Gossip Girl followed the love triangle between Nate, Serena, and Blair (among others) and kept you up-to-date on all the drama and scandals.

Poppy

The It Girl by Cecily von Ziegesar

The It Girl by Cecily von Ziegesar

Fans of Jenny Humphrey got to see even more of her in this spinoff of Gossip Girl. Bringing the same high-stakes drama from the Upper East Side to upstate New York, this book kept you in the know with short chats between every few chapters.

Poppy


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How Good At Spelling Are You Actually?

It’s as simple as ABC.

28 Profoundly Beautiful Quotes About Life And Death

“To die will be an awfully big adventure.” —Peter Pan

—Terry Pratchett, Reaper Man

Submitted by Jay Eldred, Facebook

Jupiterimages / Getty Images / Michelle Regna for BuzzFeed

2. "Why should I fear death? If I am, death is not. If death is, I am not. Why should I fear that which cannot exist when I do?"
—Epicurus
Suggested by Matthew Hall, Facebook

3. "If life must not be taken too seriously, then so neither must death"
—Samuel Butler
Suggested by Tawny Mangiaracina, Facebook

4. "Death must be so beautiful. To lie in the soft brown earth, with the grasses waving above one's head, and listen to silence. To have no yesterday, and no to-morrow. To forget time, to forget life, to be at peace."
—Oscar Wilde, The Canterville Ghost
Suggested by Sara Ranus., Facebook

—Sirius Black, Harry Potter and the Prisoner of Azkaban

Submitted by janaeb2

Malija / Getty Images / Michelle Regna for BuzzFeed


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Which Is Better: Marvel Or DC?

Choose wisely.

President Obama Says Books Have Had A Major Impact On His Life

“The most important stuff I’ve learned I think I’ve learned from novels.”

In the upcoming issue of The New York Review of Books, President Obama interviews Pulitzer Prize winning author Marilynne Robinson about — you guessed it — books!

In the upcoming issue of The New York Review of Books, President Obama interviews Pulitzer Prize winning author Marilynne Robinson about — you guessed it — books!

Pete Marovich / Getty Images

In the interview, Obama tells Robinson how novels and fiction have had a tremendous impact on his life.

In the interview, Obama tells Robinson how novels and fiction have had a tremendous impact on his life.

Pool / Getty Images

"When I think about how I understand my role as citizen, setting aside being president...the most important stuff I’ve learned I think I’ve learned from novels," he said.

"When I think about how I understand my role as citizen, setting aside being president...the most important stuff I’ve learned I think I’ve learned from novels," he said.

Pool / Getty Images

Are you somebody who worries about people not reading novels anymore? And do you think that has an impact on the culture? When I think about how I understand my role as citizen, setting aside being president, and the most important set of understandings that I bring to that position of citizen, the most important stuff I've learned I think I've learned from novels. It has to do with empathy. It has to do with being comfortable with the notion that the world is complicated and full of grays, but there's still truth there to be found, and that you have to strive for that and work for that. And the notion that it's possible to connect with some[one] else even though they're very different from you.


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Every Day I Want To Quit Social Media

Today is the day I finally leave social media.

I feel I’ve outstayed my welcome. I don’t have anything else to say. The feeling has grown in the weeks leading up to this point; I’ve seen my social media activity plummet in popularity. When you’re online every day, valuing each post’s health as a measure of your own literary career, you begin to lose sight of yourself.

It has worn me down to the point of panic, exhaustion — it’s why I should have left by now. It’s why today is it. I’ve made it to this point; just do it. The effort put in outweighs the end result, and it’s really become a problem; if I’m feeling the way I’m feeling, there may no longer be anything meaningful. It could be that I’m only hurting myself.

I wake up staring at my phone. I fall asleep to the glow of the very same screen. I think about whether leaving social media would make any difference. It probably won’t, and yet I can’t bear to look away.

I always have at least a handful of tweets and posts ready days, sometimes weeks, ahead of when I plan to use them. It keeps me calm, assured that I will always have something meaningful to say, or at the very least, something funny, clever, clickworthy. I never want to be caught off guard. I never want to be left speechless.

Every night, at approximately 10 p.m., I end up back where I started: my desk. I frequently fall asleep there, just as often waking up in the middle of the night, mid-sentence, without any understanding of where the night went. I skim a list of to-dos, all of them dealing with projects for Civil Coping Mechanisms, Electric Literature, a script or two. Toss in a novel and at least a few submissions and you’ll get the typical roundup — a little typesetting in InDesign, a few press releases to draft, a banner to design, a writing session to fit in somewhere — this is a typical night and I am already overwhelmed. I feel that horrible wave of exhaustion from having been up since 6 a.m., and I almost leave the desk for the bed. A few sips of coffee and before long the caffeine kicks in and I can keep going.

I double-click on InDesign and watch the spinning wheel and static Adobe startup screen as it slowly loads. My attention wavers, the cursor moving toward a familiar tab with a blue bird on it. Only while the program loads, I tell myself, and I begin scrolling through the feed, feeling the urge to catch up. When I get the prompt asking me if the current fonts are installed, I’m suddenly too busy to bother, and click cancel. I turn my attention to Facebook, seeking a more immediate response. There’s work, but I trick myself into thinking it can wait.

I skim the newsfeeds, liking and commenting as I see fit. Maybe a few shares — nothing wrong with one or two before noon. It’s early but never too early to share some content.

I watch as someone I know posts something not only clever but also completely on-point. I feel naked, concerned — anxious. It bothers me. I like it and comment, which is the right thing to do; all the while, I envy it because I don’t have anything better to say. I don’t have anything at all.

I really just want to have something meaningful to say.

I notice that the person I’m chatting with posts about what we’re talking about, quoting and tagging me. What do you do in this instance? I like, make a noncommittal remark, and sit there watching as others do the same. I watch as the post gets upwards of 50 likes in 15 minutes. I’m envious and I don’t know why. I want that kind of response. Or a better response.

I really just want to have something meaningful to say. It takes me more time than I’d ever be willing to admit to write a post. And still, I hesitate, second-guessing every word choice. Meanwhile, my friend has turned his post into a 60-likes-or-more conversation piece, the “conversation piece” part not the result of the number of likes, but of the 80-plus comment thread that continues to grow.

Co-workers walk by my cubicle, asking if I’d like to go to lunch. I do my best to politely decline while, in the back of my mind, I’m attempting some kind of grand, not-at-all-vain-or-self-obsessed social media epitaph. I’ve seen it happen before: people bowing out of their social media presences with grace. Some don’t even care and just go silent. How? But I sit here watching the online world move forward without me, feeling ridiculous for thinking that my participation (or not) could somehow move mountains.

I am forever judging myself by my social media performance.

My mixture of self-loathing and shame consumes my lunch hour. I'm neither interested in nor deserving of any food; my attention is purely on writing a farewell that will make sense to friends and followers. I begin researching how to back up my accounts. I don’t know why really, but I search on the off chance that maybe, just maybe, I won’t be able to stay away.

I don’t find the information I’m looking for. Desperately, I click back to the tab with the newsfeed. I notice that I don’t have as many notifications at this hour as I should have, and I begin to tense up, my heart beating faster. I am forever judging myself by my social media performance.

I return to an idea that has been in my mind for weeks, if not months: relevancy. Who has it? Does anyone actually ever have it? If you have it, how long can you maintain it? I’m not quite sure if I’ve ever had any sort of relevancy, but at this precise moment, it doesn’t feel like that matters. Like I matter.

This need to matter, to count, to be relevant is what drives me to do all I’ve been doing to gain notice in the first place. And we all want to be recognized as clever or witty. It’s what leads me to posting this next thing impulsively — to earn just a handful of likes. My post is ignored on Twitter. I shouldn’t have posted at all. This is it, I tell myself, my last post.

We all want to be recognized as clever or witty.

This isn’t the first time a tweet has failed, impressions near nil. In fact, I’ve had so many duds that I almost always have a mini panic attack whenever they don’t measure up. The standard for a successful piece of content is a sliding scale. It used to be two dozen likes, a handful of favorites, maybe a retweet. Once you start getting that, you strive to improve the analytics. Soon nothing is good enough.

My post is still fresh, but it doesn’t have a lot of immediate likes; the tweet doesn’t get any attention. I delete both post and tweet. I make sure to copy/paste what it was into a Word document for investigation.

I revise the post. I tweet out the same. I’m frantically clicking between tabs, looking for some kind of change, some burst of data. I find it on Twitter, 150 or so views, no engagements. Without investigating the tweet itself, I delete it and turn my attention to Facebook. I feel pressure on my forehead increasing, radiating heat moving from the very peak of my forehead to the top of my head. I start to feel dizzy. Another migraine, I figure. But I’m too busy deleting the Facebook post to bother doing anything about it. I’m too busy funneling my time, energy, and waking life into the version of me that has begun to live online.

As I start to breathe heavily, there’s the thought that maybe I can be replaced. By whom? Someone clever, capable of becoming a better literary citizen, a better editor of a press, a better dispenser of motivational tweets. At what cost? Maybe time, maybe energy. All I know is that I can’t bear to be in this cubicle anymore. I wait until no one is around to sneak into a nearby empty bathroom. I take the far stall, closest to the wall, and I sit down on the toilet, making sure to tuck my knees into my chest, legs invisible under the partition, creating the illusion that no one is in this particular stall.

I smell that same mixture of bleach and excrement that exists in most, if not all, public restrooms. I can’t breathe. I can’t get past the fact that I couldn’t crack the current post; I think about relevancy. I think about what I actually have to say, in a meaningful sense — and I come up empty. I stare at the stall walls, listening to someone walking in, using the urinal, and leaving without any notice of me. And why am I hiding? The smell begins to make me gag. It’s not until I’m dry-heaving into the toilet, knees on the cool tile of the restroom, that I realize I’m having a panic attack.

The panic attack makes me afraid to touch my laptop. I fear that either I’ve posted something self-destructive or I’ve completely lost relevancy. Maybe both. Add a third: My internet presence doesn’t exist, every post, tweet, and picture undone — made into the sort of material conjured from nightmares. And then something rational, for perspective: Why does this matter so much to me?

Back in the cubicle, I’ve managed to compose myself. Still, there’s the lingering question: What am I trying to say? That browser tab is still there. I haven’t closed it like all the others. I feel like a failure. I should be done with social media. In the back of my head, I hear the same thing — hey, just do it, it’s not like anyone will care. And I believe it. I still believe it. Seriously, why would it matter?

It’s over, I tell myself — admit that I’m like so many others who burned out, losing sight of whatever it was that got them here in the first place. I almost feel relieved; I can exhale. I can go now.

I linger for another half hour. Mostly, I spend my time on YouTube watching video game walkthroughs, the only thing that seems to keep me calm. At some point I notice the Facebook tab flashing, meaning that someone has messaged me. I look and it’s a dear friend of mine whom I’ve never met face-to-face, and yet we're closer than I am with some of my offline friends.

Whenever one of us needed someone to talk to, we were there for each other. I was there. He was there. He messaged me, asking for advice. Turns out, he was going through a crisis, one involving the possible choice to end his writing career. I almost don’t look, fearing that these messages will keep me online. And they do — he’s the reason I’m still here. I stick around because of the community, the support that really does exist behind the overflow of information.

So what if I’m not relevant; so what if my social media presence fades over time? If it’s costing me so much anxiety and exhaustion, there must be a reason beyond relevancy.

I needed that message. I needed him to message me more than he needed me to message him back.

I ended up on social media for a reason, and though the reason escapes me during moments of sheer panic and anxiety, I take part, no matter what — the pursuit of relevancy, or, in the strictest sense of the term, validation, is an imperative that exists as a key part of humankind’s quest for meaning. Self-definition has become intertwined with social media. We are all here for each other.

I wake up staring at my phone. I fall asleep to the glow of the very same screen.

***

Michael Seidlinger is the author of several books, including The Strangest, a modern retelling of Albert Camus’s The Stranger. He is publisher-in-chief of Civil Coping Mechanisms, an indie press specializing in innovative fiction, nonfiction, and poetry as well as the book reviews editor at Electric Literature.

To learn more about The Strangest, out now from O/R Books, click here.

O/R Books